Bringet dem Herrn Ehre seines Namens

BWV 148 // For the Seventeenth Sunday after Trinity

(Bring to the Lord honour for his name’s sake) for alto and tenor, vocal ensemble, trumpet, oboe I-III, strings and basso continuo

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«Lutzogram» for the introductory workshop

Rudolf Lutz’s manuscript for the workshop
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Performers

Soloists

Alto
Alex Potter

Tenor
Daniel Johannsen

Choir

Soprano
Lia Andres, Cornelia Fahrion, Stephanie Pfeffer, Jennifer Ribeiro Rudin, Noëmi Sohn Nad, Noëmi Tran-Rediger

Alto
Anne Bierwirth, Antonia Frey, Laura Kull, Simon Savoy, Lea Scherer

Tenor
Marcel Fässler, Tobias Mäthger, Klemens Mölkner, Tiago Oliveira

Bass
Grégoire May, Christian Kotsis, Simón Millán, Tobias Wicky, William Wood

Orchestra

Conductor
Rudolf Lutz

Violin
Renate Steinmann, Monika Baer, Patricia Do, Elisabeth Kohler Gomez, Olivia Schenkel, Salome Zimmermann

Viola
Susanna Hefti, Claire Foltzer, Matthias Jäggi

Violoncello
Martin Zeller, Hristo Kouzmanov

Violone
Markus Bernhard

Oboe
Philipp Wagner, Clara Espinosa Encina, Katharina Arfken

Bassoon
Susann Landert

Trumpet
Jaroslav Rouček

Harpsichord
Thomas Leininger

Organ
Nicola Cumer

Musical director & conductor

Rudolf Lutz

Workshop

Participants
Rudolf Lutz, Pfr. Niklaus Peter

Reflective lecture

Speaker
Thomas Metzinger

Recording & editing

Recording date
25/10/2024

Recording location
Trogen AR (Switzerland) // Evang. Kirche

Sound engineer
Stefan Ritzenthaler

Producer
Meinrad Keel

Executive producer
Johannes Widmer

Production
GALLUS MEDIA AG, Schweiz

Producer
J.S. Bach-Stiftung, St. Gallen, Schweiz

About the work

Librettist

First performance
19 September 1723 or 23 September 1725, Leipzig

Text
Movement 1: Psalm 29:2; movements 2–5: unknown poet (based on Picander, 1725); movement 6: no extant text, supplemented with text by Lübeck (before 1603)

Libretto

1. Chor

Bringet dem Herrn Ehre seines Namens,
betet an den Herrn im heiligen Schmuck!

2. Arie — Tenor

Ich eile, die Lehren des Lebens zu hören,
und suche mit Freuden das heilige Haus.
Wie rufen so schöne
das frohe Getöne
zum Lobe des Höchsten die Seligen aus!

3. Rezitativ — Alt

So, wie der Hirsch nach frischem Wasser schreit,
so schrei ich, Gott, zu dir.
Denn alle meine Ruh
ist niemand außer du.
Wie heilig und wie teuer
ist, Höchster, deine Sabbatsfeier!
Da preis ich deine Macht
in der Gemeine der Gerechten.
O! wenn die Kinder dieser Nacht
die Lieblichkeit bedächten!
Denn Gott wohnt selbst in mir.

4. Arie — Alt

Mund und Herze steht dir offen,
Höchster, senke dich hinein!
Ich in dich, und du in mich;
Glaube, Liebe, Dulden, Hoffen
soll mein Ruhebette sein.

5. Rezitativ — Tenor

Bleib auch, mein Gott, in mir
und gib mir deinen Geist,
der mich nach deinem Wort regiere,
daß ich so einen Wandel führe,
der dir gefällig heißt,
damit ich nach der Zeit
in deiner Herrlichkeit,
mein lieber Gott, mit dir
den großen Sabbat möge halten!

6. Choral

Amen zu aller Stund
sprech ich aus Herzensgrund;
du wollest uns tun leiten,
Herr Christ, zu allen Zeiten,
auf daß wir deinen Namen
ewiglich preisen. Amen.

Reflective lecture

Thomas Metzinger

What is spirituality?

Why is sacred music so beautiful? Why does it sometimes touch us so differently, in a much deeper way than other forms and types of music? What exactly is this special kind of inwardness – and what is it anyway: “spirituality”?

1

Spirituality – as I said in my essay “Spirituality and intellectual honesty”[1] – is basically the exact opposite of religion. The opposite of religion is not science, but spirituality. Many people have long been searching for a radically honest, intellectually honest form of spirituality. But what could that actually mean? Intellectual honesty means that you are simply not prepared to lie to yourself. It also has something to do with very old-fashioned values such as decency, sincerity and honesty towards oneself, with a certain form of “inner decency”. You could perhaps say that intellectual honesty is a very conservative way of being truly subversive.

As we all know, a rebellion against organised religion has taken place over the last fifty years, at least initially very successfully. Far away from the churches, something new has emerged, a global spiritual counterculture – and at least in parts it is still a genuine “spiritual counterculture” today. Countless people have taken matters into their own hands, and this development can be considered one of the most important cultural innovations of the 20th century in Western countries.

In the current, living manifestations of spirituality, however, it is primarily about practice and not so much about theory. It is about a certain form of inner action and not about piety or dogmatic adherence to certain beliefs. Spirituality is essentially an epistemic attitude. Spiritual people do not want to believe, they want to know. It is about an experience-based form of cognition that has to do with a very precise but gentle form of inner awareness, with bodily experience and the systematic cultivation of certain altered states of consciousness. Typically, the form of knowledge sought is described as a very specific form of self-knowledge that is not only liberating but also reflexively focussed on the spiritual practitioner’s own consciousness. One could say that it is about awareness as such, dissolving the subject-object structure and going beyond the individual first-person perspective.

In his sermon Iusti vivent in aeternum, Meister Eckhart (1260-1328) said:

“Some simple-minded people believe that they should see God as if he were standing there and they here. That is not the case. God and I are one.”

At the end of the first recitative of our cantata, it says: “For God himself dwells in me.” Spiritual realisation therefore often occurs in connection with the systematic cultivation of certain altered states of consciousness, so-called “non-dual” states.

2

A few years ago, I founded a scientific research project in which we are investigating the experience of “pure consciousness” in meditation in great detail. Mankind knows many different words for this experience: one example is Meister Eckhart’s “soul ground”, the “groundless ground of the Godhead”, of which he says:

“All our perfection and all our bliss depend on crossing and transcending all that is creaturely, all that exists, and coming to the ground that is groundless.”
Sermon Adolescens, tibi dico: surge

Beguine of Hadewijch (also known as Hadewijch of Antwerp or Hadewijch of Brabant) was a member of European women’s mysticism, a philosopher, poet and mystic of the 13th century – and she was already saying the same thing before Eckhart. She already used the two terms “reason” (gront in Middle Dutch) and “groundlessness” (grondeloesheit). And interestingly enough, it is precisely this “groundless ground” that is also a classic motif of Buddhist philosophy.

Asian terms for pure consciousness are, for example, the dharmakāya (the “truth body” of the Buddhist Pāli canon); rig pa (in Tibetan Dzogchen the “pure awareness”, the “realisation of the ground”, the spontaneous presence of the original “primordial awareness”); samādhi (the “level intellect”, as we find it in the Bhagavad Gita or in the Yoga Sūtra of Patañjali); sat-chit-ananda (“pure being, consciousness and bliss” in Hindu philosophy); turīya (since the oldest Upanishads, the idea of a fourth state of “pure consciousness” that underlies the three ordinary states – waking, dreaming and dreamless deep sleep); or ye shes (the “timeless awareness of primal wakefulness”, for example in Vajrayāna Buddhism).

As part of our research project, together with my Swiss colleague Alex Gamma, I interviewed more than 3,500 meditators from 57 countries in detail about their experience of pure consciousness. I won’t bother you with scientific details now, if you want to know more about this, you can find it in my book “The Elephant and the Blind”.[2] What is interesting, however, is how many meditators, when asked by us to describe a single, paradigmatic experience of pure awareness, testified to a deep sense of profundity and existential relevance. At the same time, however, it became apparent how few of them chose to interpret their experience in explicitly religious terminology. And yet they do exist. Here are three examples:

267 […] It was a very profound experience for me. It was as if I had got an impression of what “God” really is for the first time.

540 […] At the same time, the flow of my thoughts decreases more and more, and my consciousness becomes very quiet and peaceful. But this is only a transitional stage. Because after a while there is a feeling of increasing expansion, not only of consciousness but also of the body. The feeling that accompanies this is love. As a Christian, I perceive it as God’s love touching me and at the same time igniting my love for him and all creatures within me.

3579 Again and again in meditation I experience that I feel as one with God and God in everything. This is the God of all religions, not that of Christianity, detached from space and time. It is difficult to put into words because it is first and foremost an experience of oneness. There is no more ‘I’ or ‘not I’. I feel one with the primordial source, completely within and completely without. All separation is cancelled. There is only total presence. All conflicts, everything is void and no longer exists.

3

We have psychometrically analysed the description given by meditators around the world, which has led to a 12-factor statistical solution.[3] Again, no scientific details, but I think factor 8 is most relevant to our question. We have called it “emptiness and non-egoic self-awareness”. I think that this factor probably most clearly expresses the spiritual essence (i.e.: the “spirituality”) of the experience in question. Let’s stay concrete again, here are three experience reports for you:

1350 […] When the corresponding state arises, it is like the seeing of seeing or the awareness of being aware.

1545 […] A non-physical space arose in me, which enlarged from moment to moment and in which the boundaries between the perceiver and the perceived object became blurred. At the same time, this space was aware of itself. […]

156 This was predominantly an experience of emptiness, not as an object, but as self-recognising emptiness/consciousness. There was much clarity (self-recognising awareness) and a joy that lasted for several days. […]

I think this quality of non-egoic self-awareness perhaps comes closest to what many describe as an irreducibly spiritual state of consciousness: it is perhaps what characterises the deepest meaning of the word “spirituality”. A form of conscious experience and cognition that is completely independent of religious belief systems. It is the phenomenological anchor for what many meditators describe afterwards as the spiritual essence of their experience or even as their “true self”.

2120 […] I became aware of the fact that “thinking” does not have primacy in my experience, but that awareness has primacy. Thinking takes place in this awareness, which is also aware of itself.

Perhaps most importantly, the experience feels like the non-dual version of self-knowledge, like a particularly intimate form of being-in-contact-with-self: yes, consciousness is aware of itself, but in the experience itself there is neither subject nor object.

[…] It was a clear awareness, but without thought; non-dual (no subject-object, but also not so much of a wholeness). I wasn’t quite sure about “time” or “space” or “thought” or “body” (or didn’t feel it). But I knew that something/someone (I assume: myself) existed then and now. It certainly wasn’t “enlightenment”, just awareness manifesting itself while no thoughts were present. It is the background awareness behind all thoughts and perceptions, and it knows itself.

No one has seen this aspect of spiritual experience as clearly as the Tibetan Buddhists. To conclude on a very concrete note, here are three classic quotes with practical instructions:

Rgyal ba Yang dgon pa (1213-1258), who died shortly before Meister Eckhart was born:

“This naked clarity and emptiness beyond the intellect. If you let it be itself naturally, then it will recognise itself. […] Her self-realisation is the core of the practice. When she meets herself face to face, she dissolves into herself.”
Song of the Seven Introductions II (2, 4)

For the Tibetans, it is not about making something, but only about recognising something. Here, half a century later, Longchen Rabjam (1308-1363):

“It’s about staying in the continuum of recognition without fabricating anything.”
The Precious Treasury of the Basic Space of Phenomena (11)

And at the time of Martin Luther, Dakpo Tashi Namgyal (ca. 1513-1587) said:

“When stillness is there, recognise exactly that within the stillness and maintain it with reflective mindfulness.”
Moonbeams of Mahāmudrā II (10)

So what has our research shown? The quality of experience in question is not ego-like, it has nothing evaluative, selective or active about it. In other words, it is effortless, does not represent a reaction to anything and is not purposeful. Accordingly, it does not contain a consciously experienced feeling of control. Nobody possesses it. There is no feeling of being mine. It is holistic, it lacks internal structure. In this case, the phenomenal signature of self-knowledge also has no autobiographical component. It appears as timeless and spontaneously present: there is therefore no “inner narrative”, it has nothing to do with personality traits or self-conscious mental behaviour, including self-referential thoughts or emotions. If we really take the phenomenology in question seriously, then there is a strong sense in which self-recognising pure consciousness has nothing to do with you.

This specific form of inner experience was already well known to those scholar-practitioners who came many centuries before us and was precisely described by them, for example in the form of the Tibetan rang rig ye shes, which is translated as “self-recognising timeless awareness” or “self-recognising alertness”. The bridge to the Western tradition is clearly recognisable: after all, the philosophical point of Meister Eckhart’s concept of the “ground of the soul” is precisely that the non-dual knowledge of God is a form of self-knowledge.

At the beginning I asked: Why is sacred music so beautiful? What exactly is this special kind of inwardness? My provisional answer is: truly sacred music does not transport us into a metaphysical dream world, but rather enables a very specific form of self-knowledge and spiritual clarity.

So what is “spirituality”? Spiritual persons are people who have an openness to the form of realisation inherent in these states of consciousness and who therefore cultivate them in their own spiritual practice. If spirituality is seen as a characteristic of states of consciousness, then it is non-egoic self-awareness: it is the simple and pure awareness of awareness itself, it is the quiet clarity that has awakened to itself. And spiritual music is precisely the music that leads us to such states of consciousness.

If it is true that the quality of self-recognising awareness, completely liberated from a sense of self, is always already within us, but that we cannot “make” it and actually only have to recognise it, and if it is really true that this clear stillness, constantly awakening to itself, is the very essence of what spirituality actually, in reality, is – then we should also be able to discover precisely this stillness behind the music, in the states of consciousness that Johann Sebastian Bach’s work opens up for us.

[1] T. Metzinger (2014), Der Ego-Tunnel, Munich: Piper, pp. 373-413. See also https://thomasmetzinger.com/.

[2] T. Metzinger (2023), Der Elefant und die Blinden, Berlin, Munich: Berlin Verlag.

[3] A. Gamma & T. Metzinger (2021), The Minimal Phenomenal Experience questionnaire (MPE-92M): Towards a phenomenological profile of “pure awareness” experiences in meditators. PLOS ONE 16 (7): e0253694.
https://doi.org/10.1371/journal.pone.0253694. See also https://mpe-project.info.

Bibliographical references

All libretti sourced from Neue Bach-Ausgabe. Johann Sebastian Bach. Neue Ausgabe sämtlicher Werke, published by the Johann-Sebastian-Bach-Institut Göttingen and the Bach-Archiv Leipzig, Series I (Cantatas), vol. 1–41, Kassel and Leipzig, 1954–2000.
All in-depth analyses by Anselm Hartinger (English translations/editing by Alice Noger-Gradon/Mary Carozza) based on the following sources:  Hans-Joachim Schulze, Die Bach-Kantaten. Einführungen zu sämtlichen Kantaten Johann Sebastian Bachs, Leipzig, 2nd edition, 2007; Alfred Dürr, Johann Sebastian Bach. Die Kantaten, Kassel, 9th edition, 2009, and Martin Petzoldt, Bach-Kommentar. Die geistlichen Kantaten, Stuttgart, vol. 1, 2nd edition, 2005 and vol. 2, 1st edition, 2007.

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